Dubbed a host of filthy names because of its phallic shape, this well-known sculpture’s original title, ‘Mushroom Woman in a Moon Hat’, is perhaps the least known of all. Miró’s last public work is monumental, best enjoyed up close on a summer’s evening when the late Mediterranean light sets the trencadís aglow.
Author: Kevin Booth
Her phoenix gate
Framed by its leafy avenue, Feníxia by Silvia Gubern stands like a totem over Barcelona, a solid stone portal …
From Medieval monks to neon lights
If you’re looking for an example of Gothic and eighteenth-century architecture integrating seamlessly with twentieth-century art, check out Deuce Coop … More
Controversy in every angle
Alongside Tàpies, Picasso and Miró, Josep Maria Subirachs (1927–2014) stands as one of Spain’s most important twentieth-century artists. The seventy … More
The balance of trade in Barceloneta
Jannis Kounellis, though Greek, was at one time, like Mario Merz, an exponent of Italy’s Arte Povera (poor art). This late-sixties … More
The measure of a shell
Unsurprisingly, for this installation of cobble-embedded neon, Italian artist Mario Merz chose the Fibonacci sequence, a ratio occurring naturally in … More
Anarchy on a classical plinth
Like a lone night watchman—as he was in his youth—the statue of Joan Salvat-Papasseit (1894–1924), one of Catalonia’s preeminent poets, … More
Saint Paul in the Field
While most of the Barcelona art I write about is free, I sometimes include exceptions, and this is one. A … More
Stargazing down at the port
They could be a pair of stevedores on deck, each marooned on their tiny pontoon. But they seem content to … More
Walk through a poem in Horta
Poetry, theatre, prose, sculptural works and even experimental film: his output was prodigious in all these media yet Joan Brossa … More
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